ALQUIMIA Animated Type by Pavel Paratov
Animated type in all its glory
ALQUIMIA Animated Type by Pavel Paratov
Animated type in all its glory
Shootout With Stormtroopers - Star Wars Uncut - Scene 408
Finally finished this, big thank you to Wesley for helping out with the sound!
Animation and Design: Oliver Sin
Sound Design: Wesley Slover
Thousands of fans from around the world are joining forces to recreate Star Wars Episode V: The Empire Strikes Back, fifteen seconds at a time. Find out more by visiting StarWarsUncut.com
TM & (C) 2012 Lucasfilm Ltd. All Rights Reserved. Footage Courtesy of Lucasfilm
Ever wanted to replace a layer in After Effects but not have to redo all the keyframes/effects you’ve added? Just Alt or Option ⌥ click and hold on the new footage, then drag it on top of the layer you want to update in the timeline.
The proof that we are soulmates by Emanuele Colombo
The transitions, ease and bounces in this are awesome!
Here is a little tip that can be a life saver for anyone who tries to animate complex character walk cycles in After Effects. This is my first ever tutorial, so sorry if my grammar/spelling completely sucks!
Instead of working straight with the Puppet Tool to animate limbs, you can lock each Puppet Pin to a null object and constrain them to other layers. The benefit of this is that it allows a hierarchy of movement between each pin and even layers, it also gives you the advantage of rotation and I find it much easier to undo changes if necessary.
For example, when the knee null is rotated and positioned, the nulls below will react in a similar way as our own leg would work. For people who probably have tried animating with just he Puppet Tool, the lower Pin would be locked in position and that wouldn’t be the desired outcome for animating a character.

Remember to place the Nulls on the areas you want to move, using the top left as a guide. Then place your pins in the top left corner of each Null. By using the following code on the Puppet Pin’s property, you lock the specific pin to the anchor point of each Null.
——
n=thisComp.layer(“name of null”);
nullpos=n.toComp(n.anchorPoint);
fromComp(nullpos);
——

Then all you need to do is parent the Nulls in the order you want them to respond to each other. Of course everyone has there own way to rig a character but I find this to be a massive time saver.
Another great little short for Coke by the Gentleman Scholar
Mork by Phil Borst
Some amazing keyframing right there!
Dyson Dog by Robin Davey
Stunning illustrative music video for MGMT, by Oneedo. Simple but extremely effective technique.
Amalgamation: Beautiful use of displacement map/compound blur
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